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Mark Joyce ist ein englischer Snookerspieler, der seit auf der Snooker Main Tour spielt. Nachdem er bereits im Finale des Masters Qualifying Events gestanden hatte, erreichte er beim Riga Masters zum ersten Mal das Finale eines. Mark Joyce (* August in Walsall, England) ist ein englischer Snookerspieler, der seit auf der Snooker Main Tour spielt. Nachdem er bereits Das Profil von Snooker-Spieler Mark Joyce im Überblick mit Artikeln, Bildern, wichtigen Lebensdaten und Links. Mark Joyce. Land: England. Alter: 36 Jahre. Geburtsdatum: 11 August Info. Einloggen. Melden Sie sich an um Ihre Favoriten zu speichern und die News. Mark Joyce Live Ticker (und kostenlos Übertragung Video Live-Stream sehen im Internet), Spielplan und Ergebnisse von allen Snooker Turnieren die Mark.
Osteen, Mark, The Economy of Ulysses: Making Both Ends Meet, Syracuse University Press - Peake, Charles H., James Joyce: The Citizen and the Artist. Mark Joyce ist ein englischer Snookerspieler, der seit auf der Snooker Main Tour spielt. Nachdem er bereits im Finale des Masters Qualifying Events gestanden hatte, erreichte er beim Riga Masters zum ersten Mal das Finale eines. Mark Joyce (* August in Walsall, England) ist ein englischer Snookerspieler, der seit auf der Snooker Main Tour spielt. Nachdem er bereits The size of the arena made it look like there was nobody in to be honest but there were still 40 or 50 people there watching and as a player it gives click to see more a bit more of a buzz knowing there are people watching, nobody likes to be stuck in the cubicle. I probably practice visit web page with Nigel than anybody as we room together when we go abroad and stuff so I am quite close with Nigel. I make a coloured line, then another, I work from the facts out into a rhythmic scheme. Northern Ireland Open. What I was doing at the UK was coming back and Mark Joyce to set-backs such as this because I was match sharp but here I was never quite sharp enough and could not fight. Joyce had a very uneventful first season on Main Tour, failing to qualify for any of the major events. I wanted to ground the images in the click. In the past if you lost your opening match in the UK Championship, World Championship or both then it was a disaster.
The images are dynamic, celebratory and vibrant; they are handmade compositions of coloured lines, mostly on white and neutral backgrounds, activated by the drawings, it is rhythm, movement and chromatic contrast that they seek to establish.
Everything is a theoretical reflection on light, yet understood as something physical and tangible, not just visible.
However, we are not talking about representational images, but about conceptualizations of bright, experienced or invented phenomena, taking speculation to the limit in these latter cases.
MD; If I understand you correctly, this is a set of drawings from a scientific theme? MJ; Yes, these are drawings of light, physical light as it reaches surfaces and is reflected, refracted and scattered, I work with ink markers on paper which seems to get closest to light in motion, but they are abstract works.
MD; How do you arrive at the compositions, when these works relate to actual light? MJ; Its an optical thing, we know the light around us originated in the sun about eight minutes ago, we cant see it, only its effect, its strange anomalous stuff, the photons-the other bits they are discovering behave in mysterious ways, when things don't match up it can be a fruitful area for an artist to work in.
MD; But the compositions, the work references light, is it to do with frequencies or lyrical plastic form?
MJ; I am working with representations of light, drawings of physical light. I look at a lot of the schematic representations of phenomena such as convergence, refraction, the ping-pong of particles in a field.
I am imagining the zip of mass and mass-less things in motion, interacting. I make a coloured line, then another, I work from the facts out into a rhythmic scheme.
MD; So these are spontaneous? MJ; Yes, while I admire the lens grinders and natural philosophers who literally expanded our human optical knowledge, and these drawings come from that analytic inspiration, the drawings have an aesthetic order rather than illustrative function.
MD; You have talked about lines in music and nature before. MD; To what extent do you plan the colours in your work?
MJ; Colour is what artists have, spectral Colour, the gamut of direct light, then there are the other colours, earth colours, tertiaries, certain mixes, or so called broken and local colour.
There is the basic anomaly of pursuing coloured light using coloured pigment, that aside, I work with the three values in colour, the actual hue, the saturation, and the tonality, the rhythm I mentioned comes from using these values in contrast, and the stepping down from spectral to the other mixed or broken colours.
Those drawings were made on a kitchen table at night. MD; Looking at the spectral aspect, one colour next to another, creating this dialogue-the lines-aspire to a scientific meaning.
MJ; There is a big place in colour phenomena where art and science meets, I know there are the corny versions of this, but really, when you meet a scientist, they are pitching into the unknown with their instruments, ok..
There is also a huge common history of working intuitively, what I understand as, that rapid analytical thought which gets you to new knowledge-I think artists and scientists do that, everything is pointing from the present into the unknown.
Hope for tomorrow. The important thing is not to stop questioning. MJ; That book was published the month I was born in July , it's a classic optimistic book of popular science for the layman, which they don't seem to make anymore.
I used the book to make homemade boxes with lens and diffraction gratings, toilet rolls painted black. The basis for all of this is the spectroscope, which analyses the spectra given off by any substance.
The Grand Prix would be the first tournament that Joyce would qualify for after finishing 2nd in his qualifying group.
However, he would go on to lose all 5 matches in the group stage of the tournament. The remainder of the season was fairly uneventful as he failed to qualify for the Malta Cup , Welsh Open and the China Open.
He finished the season off by losing in the third qualifying round of the World Championship. His exploits in the season resulted in his ranking going up 14 places to number This will mean he would have 1 less qualifying match to play in the following season.
The season started with a 5—0 victory against Patrick Wallace and then a 5—0 defeat to Judd Trump in the first ranking event of the season, the Northern Ireland Trophy.
He followed this up with a run to the final qualifying round of the Shanghai Masters in the next event. Another win and a defeat in the Grand Prix after being reverted to a knockout competition and the same result in the Bahrain Championship.
His best performance of the season was in the qualifying tournament for the Masters , where he reached final, only to lose 1—6 to Judd Trump.
The season ended poorly for Joyce with a 10—6 defeat to Patrick Wallace in his first match of the World Championship qualifiers.
Despite this, he ended the season up 2 places to number 57 in the rankings. Joyce's fourth season on the tour got off to a bad start with a 5—2 defeat to Joe Jogia in the qualifying for the Shanghai Masters.
He was drawn against the defending champion John Higgins and was defeated 5—1. The remainder of the season up to the World Championship was uneventful with only 2 wins in 3 ranking tournaments.
In qualifying for the World Championship , he recorded a break his highest so far in professional snooker against Jimmy Robertson in the 3rd qualifying round.
He won this match 10—9 and then defeated Michael Judge 10—8 to set up a meeting with Jamie Cope for a place at The Crucible.
Cope was to prove too strong for Joyce as he ran away a 10—5 winner. Despite starting from the first round of qualification, Joyce managed to qualify for the televised stages of the UK Championship for the first time in his career, beating six-time World Champion Steve Davis 9—2 in the final qualifying round.
He reached the quarter-finals of a ranking tournament for the first time in his career by defeating Ali Carter 9—6 in the last 32 and Judd Trump 9—7 in the last In quarter-finals, he lost 7—9 to Mark Williams.
He ended the season with the highest ranking of his career so far at world number 42, which meant he had climbed 16 places during the year.
Joyce began the season by winning the Pink Ribbon Pro-Am charity tournament, where he whitewashed Michael Holt 4—0 in the final. However, he started the season poorly and saw his ranking slip to number 51 in January, meaning he would now need to win three matches.
Joyce failed to qualify for any of the first four ranking events of the season, but then defeated Andy Hicks and Jamie Cope to reach the UK Championship.
Trump exacted his revenge in the first round of the World Open by whitewashing him 0—5,  and he withdrew from the China Open as his partner was due to give birth.
The —14 season proved to be a successful one as he played at the venue stage of six ranking events, three more than his previous best. Joyce played in seven ranking events this season, the most in a single year in his career to date.
This last 16 exit proved to be Joyce's deepest run in an event this season. Joyce opened the season with three wins to qualify for the Australian Goldfields Open and beat Mark Allen 5—2, before losing 5—4 to Matthew Selt.
Joyce built a 5—0 lead over Dechawat Poomjaeng , but lost six frames in a row to be eliminated in the third round.
Joyce reached his third career quarter-final after overcoming Mark King 5—2 and led Luca Brecel 4—2, but would lose 5—4.
Joyce practises mainly at the Qbar snooker club in Walsall Wood although he has said in an interview that he travels out at least once a week to practise with other players, in order to keep himself sharp.
He is a Manchester United fan and is a keen golfer. In , Joyce was the victim of an attack outside a nightclub in Birmingham, after an argument in a bar over whose turn it was to get served.
He suffered a fractured elbow and problems with his eyesight which a led to a reduction in playing time during the first six months of From Wikipedia, the free encyclopedia.
Mark Joyce Paul Hunter Classic Retrieved 5 January World Professional Billiards and Snooker Association. Archived from the original PDF on 19 March Retrieved 31 March South West Snooker Academy.
Retrieved 15 January Archived from the original PDF on 15 June Retrieved 11 May Archived from the original PDF on 16 June BBC Sport. Retrieved 17 April Sky Sports.
World Snooker. Archived from the original PDF on 11 June Retrieved 24 May Retrieved 3 May Walsall Advertiser.
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